| Fridays and the Future17 May 2021Later today we will hold our first live rehearsal for over 400 
			days! We are hugely grateful to The Old Savoy for hosting us, and 
			remain extremely miffed that the Department for Digital, Culture, 
			Media and Sport still hasn’t published the proper guidance we need. 
			Nevertheless, we are following the advice of the Association of 
			British Choral Directors, Making Music, and our own stringent risk 
			assessments, to get back to a little live singing after this long 
			period away. Our return will be gentle, with short session and 
			reduced numbers, but we hope that over time we will slowly return 
			back to what we had become so accustomed to over many years - 
			inspiring weekly sessions with choral greats. 
		
			|   Iain Farrington on Elgar, Mahler, and 
				more |  |   Prof. Ian Bradley on Sir Arthur Sullivan |  So far this term we have had five Home Choir Zoom rehearsals on 
			our programme - Summer in the Alps - and we have welcomed 
			five of this term’s eight guests at our Fridays at Four expert 
			sessions. This began on 30 April with the astonishing arranger, 
			composer, pianist, and organist, Iain Farrington, on his life with 
			Elgar, Mahler, and more (including Gershwin and playing at the 
			Olympics). We then welcomed another Ian, The Revd. Prof. Ian 
			Bradley, Emeritus Professor of Cultural and Spiritual History at the 
			University of St Andrews, who talked to our MD about the sacred 
			music of Sir Arthur Sullivan, following the publication by OUP of 
			his new book on Sullivan.  
		
			|   88 attendees learning about Smyth |  |   The Ethel Smyth Panel |  Last Friday we welcomed Dr Leah Broad from Christ Church College, 
			University of Oxford, Dr Amy Zigler from Salem College, North 
			Carolina, USA, and Hannah Millington, a doctoral student at City 
			University, Dublin, to discuss the music of Dame Ethel Smyth, whose 
			choral prologue to Der Wald (opera) we are singing this term. 
			Further sessions are planned for the remainder of the term with 
			Professor Michael Downes (Elgar and the Sacred), our own MD (Das 
			Land ohne Musik?), Dr Adèle Commins (the music of Sir Charles 
			Villiers Stanford), and Dr Catherine Carr (the life and music of 
			Samuel Coleridge-Taylor). |